Hardware for the English country kitchen
The hardware on a country kitchen is the last thing chosen and the first thing seen. A note on choosing brass for...
Founders, 1740. Guild, 1890. Forge, 20th century. Three eras of Birmingham brass, made today by a single craftsperson, start to stamp.
A fluted ‘melon’ knob on a four-pointed backplate. Sand-cast in solid brass. Named for Turner’s Brass House, Birmingham’s first.
A faceted octagonal knob on a hammered hexagonal backplate. Sand-cast, hand-hammered, finished by hand. Named for the Birmingham Guild of Handicraft, 1890.
A reeded ‘beehive’ knob on a concentric stepped backplate. Sand-cast, then CNC-lathed to micron precision. Birmingham’s industrial heirs, made exact.
Same solid brass core. Three distinct surfaces. Each finish is applied by hand at our workshop and held in stock for next-day dispatch.
Unsealed. Bright on day one, soft amber by year five. Patina is the point.
Pre-aged by hand. Deep, settled bronze tones from the first install.
Brushed, then lacquered. Warm gold that holds its tone for years.
“Specifying Winfield & Turner is specifying English brass at its source. Nothing about the spec sheet needs translating.”
Trade pricing for accredited studios and architects. Free physical finish chips, mounted on card. Samples credited against project orders. CAD blocks and specification sheets on request.
The hardware on a country kitchen is the last thing chosen and the first thing seen. A note on choosing brass for...
Unlacquered brass starts bright. It does not stay that way. A guide to what happens next, what to do about it (mostly...
From Turner's Brass House in 1740 to R.W. Winfield's Cambridge Street works in 1820 — the two families and the city that...